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Spaghetti Chandelier

By Alicita Rodriguez on Wednesday, October 29th, 2008

Image: Spaghetti Chandelier

Spaghetti Chandelier. Designed by ZNP Creative.

As a child, I spent many of my weekends at local construction sites, trying not to get nails embedded in my feet. This dangerous visitation ritual was thanks to my father, an engineer who simply couldn’t let go of his jobsite anxieties — in his mind, everything would fall apart without his constant supervision (he probably even dreamed of the Tacoma Narrows Bridge).

Much of what I liked about these tours was based on the magic of the unfinished, the exposed, the skeletal: rebar sticking up in all directions like rusted licorice; scaffolding growing from building facades like yellow vines; and cage lights hanging from pipes like orange veins. Alas, here were the building’s internal organs in all their messy, serpentine glory… and what a tremendous sight. But enough with my own self-indulged nostalgia.

This same enthusiasm for the raw is embodied in the Spaghetti Chandelier, recently launched at London’s 100% Design show and already featured in November’s Maison magazine (Asian edition). Hatched from South Korea’s ZNP Creative, the Spaghetti Chandelier concretizes the designer’s trademark: “no logic but heart.” The chandelier’s accidental form, composed of red-colored electric wires, is anchored by a white powder-coated metal wire frame—an arachnid body from which the intenstines spew in graceful arcs. You will recognize the orange cord immediately, as I did (hence the previous conjuring of childhood memories). ZNP explains this choice: “Widely used as an industrial material, here it has been employed to give a unique look to this domestic product.”

The Spaghetti Chandelier is particularly fitting to discuss this Halloween week, as it transmogrifies ordinary stuff into surprising encounters—like peeled grapes into eyeballs. Except you have control here: ZNP’s pendant light has a special socket that lets you attach the lighting to the wire structure however your heart desires. It shuns the uniform, demands the random, and celebrates the uncanny. This is the chandelier of a postmodern Dracula, the one he stands under in his great hall as he beckons you into his castle.

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Alicita Rodriguez is a freelance writer obsessed with uncanny architecture and strange spaces. She comes from a family of obsessive compulsive contractors. Originally from Miami, she is now being held in a ghost town in Colorado against her will.

5 Comments Add your own

by Jacob Slevin October 29th, 2008

perhaps this could work over a shared work space so people could pull light bulbs closer to them while working??

by Talya October 29th, 2008

I really like the reinvention of the chandelier.

by Lorenzo Morales October 30th, 2008

I appreciate the new birth of the decorative hanging light. I enjoy the motion created between the cord and the wire scaffolding; nice contrast.

I do have reservations regarding the name.

by 3rings » Thanksgiving Treasures December 2nd, 2008

[…] is Thankful ForMurano Due Ether Chandelier Graces Dirty Sexy MoneyLove You Love You Not ChandelierSpaghetti ChandelierAndressa Glam by ModissEnviroGLAS: Smashing Commode!Zeppelin S1 ChandelierWhat Joe is Thankful ForAt […]

by 3rings » Graffiti for Books December 24th, 2008

[…] and praise. His freeform Rainlight (also 2008) shares some of its tendril qualities with the Spaghetti Chandelier; and his Wave Chair from 2006 continues 3ring’s emphasis on the egg this week (see Egg Bed […]

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